Dr. Susan H. Edwards to Speak at Brentwood Woman's Club April Meeting

Dr. Susan H. Edwards, Executive Director and CEO of the Frist Center for the Visual Art, will be the Brentwood Woman's Club's guest speaker for their monthly meeting on April 7, 2015. Dr. Edwards will share about leading one of the most dynamic museums in the world and upcoming exhibitions to the Frist Center for the Visual Arts.

The Brentwood Library is located at 8109 Concord Rd, Brentwood, TN 37027. The meeting starts at 11:00am promptly. BWC's general meetings are open to the public.

More About Dr. Susan H. Edwards:

Dr. Susan H. Edwards was decorated as a Chevalier dans l'Ordre des Arts et Lettres (Knight in the Order of Arts and Letters) in a ceremony at the Frist Center for the Visual Arts in 2011. The medal was presented by the Consul General of France, Pascal Le Deunff.

Susan H. Edwards is Executive Director and CEO of the Frist Center for the Visual Arts in Nashville, Tennessee.  She also originates exhibitions, publishes, and lectures in the areas of modern and contemporary art and photography.  She is the author of Ben Shahn and the Task of Photography in Thirties America as well as articles that have appeared in The History of Photography, The Print Collectors’ Newsletter, and numerous exhibition catalogues.  She serves on the Bogliasco Foundation Advisory Board, Harvard University Art Museums Collections Committee and is an advisor for the Stephen Taller Archive at Harvard University. She is a member of the Association of Art Museum Directors.


More About the Brentwood Woman's Club:

The General Federation of Women’s Clubs is a unifying force, bringing together local women’s clubs, with members dedicated to strengthening their communities and enhancing the lives of others through volunteer service.  With 100,000 members in affiliated clubs in every state and more than a dozen countries, GFWC members are community leaders who work locally to create global change by supporting the arts, preserving natural resources, advancing education, promoting healthy lifestyles, encouraging civic involvement, and working toward world peace and understanding.  The Brentwood Woman’s Club has been a chartered member of GFWC for over 40 years.

Maria Magdalena Campos-Pons, Neil Leonard, and Emily Haper Beard on Living Your Best Life Radio Show

Living Your Best Life Radio Show with Genma Holmes celebrates Artober Nashville with the Frist Center. Tune in as we continue to shine the spotlight on art, culture, community and the Frist Center’s leadership that "inspire people through art to look at their world in new ways."




On Saturday, October 15, 2011 we will be joined by world renown artist, Maria Magdalena Campos-Pons, one of the most significant artists to emerge from the Cuban post-revolutionary era, and her husband, Neil Leonard, an internationally recognized composer. The powerful artistic team and founders of G.A.S.P Gallery of Boston will share about their week-long residency at Vanderbilt which has included dual exhibits of Campos-Pons work at the Vanderbilt Fine Arts Gallery and the Frist Center for the Visual Arts, panel discussions, receptions, and a family collaborate intimate performance art piece. The individual lectures by the artistic duo and residency are sponsored by the Vanderbilt University Department of Art, Center for Latin American Studies, Department of History of Art, Vanderbilt Fine Arts Gallery, Program in African American and Diaspora Studies, Atlantic World Seminar, Frist Center for the Visual Arts, Curb Center for Art, Enterprise and Public Policy, Neil Leonard, and the College of Arts and Science.

We will also hear from the Frist Center’s go too, hands on, out and about, Community Relations Manager, Emily Harper Beard. Emily will share how she and the Frist Center’s Education outreach team, Shaun Giles and Rosemary Swain Brunton, take the vision and mission of the Frist Center beyond its Broadway address to classrooms, non-profits, groups and organizations, and to various events throughout the Middle Tennessee region.

Living Your Best Life Radio Show can be heard on 880 AM in the Nashville-Middle Tennessee area and on Ustream.TV worldwide from 10am-12pm CST.

Maria Magdalena Campos-Pons


Born in 1959, Maria Magdalena Campos-Pons was raised in the Cuban province of Matanzas. Campos-Pons was educated in Cuba at the National School of Art (1976-1979) and Instituto Superior de Arte (1980-1985). She graduated from Massachusetts College of Art in 1988 and now lives in Brookline, Massachusetts, with her husband, Neil Leonard and their son.

Campos-Pons creates photographs, video, and multimedia installations that tell the story of the survival of African cultures by evoking rites, myths, and narratives that have evolved through generations. Her work symbolically follows the history of the slave trade from her family’s origin in Nigeria to Cuba, where they worked in the sugar industry, to present-day Boston, where Campos-Pons now works and teaches.

Her works have been exhibited in the United States, Canada, Japan, Norway, France, Italy, and Cuba. She was represented in the Johannesburg Biennial and has had a solo exhibition at the Museum of Modern Art in New York City. Campos-Pons’ powerful attachment to her cultural African heritage is one that she has never experienced directly but its presence in the rites and myths of her childhood make her a Cuban transplanted in the United States, an exile twice over.

Most recently, the Guangzhou Triennial in China hosted her work. A 20-year retrospective of Campos-Pons’ work, Everything is Separated by Water: María Magdalena Campos-Pons, opened in Indianapolis in 2006 and traveled to the Bass Museum in Miami.

During her life, she has received many awards and recognitions like the "Mention of Honor", in 1986 in the XVIIIème Festival International de la Peinture, Château Musée, Cagnes Sur Mer, Francia. In 1990 Painting Fellowship, The Banff Centre for the Arts, Alberta, Canada, in 1992 Foreign Visiting Artist Grant, Media Arts, Canada Council, Canada, in 1994 Bunting Fellowship. Mary Ingraham Bunting Institute, Radcliffe Research and Study Center, Cambridge, Massachusetts, U.S.A and in 1995 Art Reach 95 Award, National Congress of Art & Design, Salt Lake City, Utah, EE.UU.

While in Nashville, the Nashville Area Hispanic Chamber of Commerce recognized Campos-Pons for her contributions to international cultural with an award for "Outstanding Hispanic Professional Achievement Award in Art" at its 7th Annual Hispanic Heritage Month Celebration and Awards Ceremony held on Thursday, October 13, 2011.

For more info on her dual exhibits at the Frist Center and Vanderbilt go here. A list of exhibitions can be found here.

Neil Leonard


Leonard is one of the most inventive and adventuresome artist in new music today. Leonard's work has ranged from traditional jazz performance, solo concerts for saxophone and electronics, collaborations with top Cuban musicians, works for orchestra as well as sound and music for dance, theater, performance and installation.

Leonard's collaborative work with visual artist Maria Magdalena Campos-Pons was featured by the 49th Venice Biennial, Museum of Modern Art (NYC), purchased by the National Gallery of Canada and presented by the U.S. State Department at Dakar Biennial. Leonard composed the music for Relatives, by Tony Oursler and Constance DeJong that was featured by the Whitney Biennial and the ICA (Boston).

His ensemble and collective projects featured Marshall Allen, Bruce Barth, Don Byron, Uri Caine, Kenwood Dennard, Robin Eubanks, Frank Lacy, Oriente Lopez, Rudresh Mahanthappa, Badal Roy, Jamaaladeen Tacuma. Leonard’s "Dreaming of an Island", (for orchestra, electronics and live-video) was premiered by the Indianapolis Chamber Orchestra. Leonard's composition Totems was premiered at Carnegie Hall by Byron and Caine. Leonard's "Echoes and Footsteps" was featured by the Tel Aviv Biennial for New Music, Issue Project Room (NYC) and the Auditorium di Roma. To learn more about the composer click here and here.

Emily Harper Beard



Emily Harper Beard, formerly Communications Coordinator at the Frist Center, recently moved into the Community Relations Manager position where she works with a variety of community groups and audiences to help promote the Frist Center’s mission. Prior to working at the Frist Center, she received her B.A. in graphic design from Middle Tennessee State University and worked at Animax Design—a puppet shop in Nashville which creates characters for live shows, film, and television. She continues to be an active artist in and supporter of Nashville’s growing arts scene.

To learn more about community partners, educational programs, and affinity days at the Frist Center click here and here.

Photos: Neil Leonard,Maria Magdalena Campos-Pons, Susan Edwards, and Katie Delmez;Joesph Mella and Maria Magdalena Campos-Pons; and Emily Harper Beard courtesy of Genma Holmes

CD cover, art, and photo of Campos-Pons and Leonard courtesy of Campos-Pons and Leonard

Article written by: Chuck Beard
Chuck Beard is an active volunteer in the Nashville community. He works tirelessly to bring attention to those in need by bringing the music and art community together to raise funds and awareness to causes near and dear to his heart.

Dr. Susan Edwards Knighted By Consul General of France

The Frist Center's Executive Director, Dr. Susan H. Edwards, was decorated as a Chevalier dans l'Ordre des Arts et Lettres (Knight in the Order of Arts and Letters) in a ceremony at the Frist Center for the Visual Arts. The medal was presented by the Consul General of France, Pascal Le Deunff.

Dr. Edwards was recognized for her significant contributions to the art and the culture of France.

Consul General Pascal Le Deunff remarks to Dr. Susan Edwards at Chevalier Award ceremony held at the Frist Center on September 23, 2011:

Ladies and Gentlemen,
Dear Friends,
Dear Susan,

It is both a pleasure and a privilege to be here in Nashville with you today to honor a truly exceptional woman, visionary, ambassador of the arts, and precious friend of France, Dr. Susan Edwards.

Susan, your passion for art has been a driving force in every step of your professional career, which is clearly reflected on your curriculum vitae, but even more so in your community. Before arriving in Nashville, you spent a considerable amount of time in New York where you received your PhD in Art History from City University of New York in 1995. During your time as Curator at Hunter College of the City University of New York from 1987 to 1998, your drive and artistic vision was exemplified by the over twenty art exhibitions that you originated, and was affirmed in 1997 when you were named a Founding Fellow at the Liguria Study Center for the Arts and Humanities in Genoa, Italy.

You further honed your skills as Executive Director of the Katonah Museum in Katonah, New York from 1998 to 2004. But of course, your exemplary commitment to the arts spread far beyond the walls of museums. In addition to your book, Ben Shahn and the Task of Photography in Thirties America, you have also published numerous articles on modern and contemporary artists, material, culture, and photography-- of which you are a specialist -- as well as several exhibition catalogues, further establishing yourself as a known expert in the world of visual arts in the United States. You have also brought your knowledge and expertise to many schools and universities, including New York University, Queens College/CUNY, School of Visual Arts, New York, and Vanderbilt, where you are currently Adjunct Associate Professor.

As a recognized member of the art community, you continue to make contributions, serving on the advisory boards of the Bogliasco Foundation, Harvard University Art Museums and Collection Committee, and the Stephen Taller Archive at Harvard University. And all of these eminent accomplishments and contributions to the art community are only the half of it.

Your work at the Frist Center for the Visual Arts here in Nashville, Tennessee has been in a league of its own. From the very onset of your career as Executive Director in 2004, you’ve offered Nashville and beyond an ambitious, diverse, and multicultural program that has truly lived up to the vision of the Frist Center of “inspiring people through art to look at the world in new ways.” In addition to the spectacular array of art exhibited, your programming has demonstrated and reinforced an exceptional friendship with France. In only six years, you’ve consecrated more than ten expositions to French culture and artists. From “Les Chemins de l’Impressionisme, paysages français et américains du Worchester Art Museum” to Matisse, Picasso and the School of Paris Masterpieces from the Baltimore Museum of Art, Rodin, A Magnificent Obsession, sculpture from the Iris and B Gerald Cantor Foundation to Twilight Visions : Surrealisme, Photography and Paris”, your high, your high quality exhibitions have been both multi-disciplinary and extremely tangible, offering educational programs and community outreach activities that have brought French culture closer to the Southeast.

Most recently, it is thanks to your efforts that the Frist Center became one of only two institutions in the United States – making Nashville one of three cities in the world to present the exhibition "The Birth of Impressionism: Masterpieces from the Musée d’Orsay”. Displaying 100 paintings from the permanent collection of the Musée d’Orsay in Paris, you’ve provided the Southeast with an unparalleled cultural experience. This further demonstrates your excellent intuition and entrepreneurial sensitivity. Indeed, the echoes from exhibitions and events have reached far beyond the boundaries of Nashville and Tennessee. Your leadership has brought the Frist Center to new heights, giving it national visibility and recognition and turning it into one of the premier art centers in the Southeast.

Your remarkable contributions to advancing cultural relations between France and the United States are commendable and worthy of the distinction that you are receiving today. It is a great honour partnering with you and we look forward to strengthening this relationship with you and with the Frist Center for the Arts in the years and projects to come.

Dear Susan, to render homage to your commitment to artistic efforts and actions, au nom de la République, nous vous faisons Chevalier dans l’Ordre des Arts et des Lettres.




Dr.Susan Edwards Acceptance Speech



"Consul General Pascal Le Deunff, Honorarie Consul Madame Amelie De Gaulle, Madame Chevalier Hazel Joyner-Smith, et invités distingués. C'est mon honeur d’ accepter la medaille de Chevalier de l’ordre des arts et lettres de le part du comité administrateur et du personnel du Frist Center. Merci beaucoup. Maintenant, je voudrais continuer in anglais, s’il vous plait"

Consul General Le Deunff, Honorary Consul Amelie De Gaulle, fellow Chevalier Hazel Joyner-Smith and distinguished guests, I am deeply honored to accept the medal of the Chevalier of the Order of Arts and Letters on behalf of the Board of Trustees and the staff of the Frist Center. I am grateful to M. Frederic Mitterrand, the French Minister of Culture and Communication and the people of France. I thank Consul General Le Deunff and Carole Scipion, the French Cultural Attache in Atlanta, for placing my name in nomination, and Ellen Pryor and Angela Butler for keeping my nomination secret -- even from me – for the past year.

I am pleased to receive a Chevalier at this point in my life and career, after youthful arrogance has mellowed. It is not false modesty to acknowledge the role of many others in this award. Great accomplishments are rarely the result of one person’s endeavors, rather they come about through the combined efforts of visionaries such as Tommy Frist, the relentless promotion of a Ken Roberts, the steady direction and leadership of Billy Frist, as well as the assistance and professionalism of colleagues, co-workers, and friends.

The Chevalier acknowledges my passion for all things French and a twenty-year history of working on exhibitions, film series, and literary projects that promote French arts and culture. There is no doubt in my mind, however, that the pinnacle of my visibility was our 2010 exhibition "The Birth of Impressionism: Masterpieces from the Musée d’Orsay."

I am grateful to Guy Cogeval, President of the Musée d’Orsay in Paris, for allowing their extraordinary 19th-century paintings to be presented in Nashville. The exhibition would not have come to Nashville without the support of Tommy and Trish Frist, Janet and Jim Ayers and Marlene and Spencer Hays, who made the lead gifts that gave us the courage to move forward with the project. Mark Scala, Chief Curator at the Frist Center, worked closely with Stéfane Guegan at the Musée d’Orsay to refine the checklist for our venue. For considerable efforts on « The Birth of Impressionism » and their devotion to our mission, I remain eternally grateful to our founders, trustees, members of our advisory councils, and the entire staff at the Frist Center.

For assistance on previous projects devoted to French culture, I should like to acknowledge colleagues and collaborators here at the Frist Center and from New York: Thérèse Lichtenstein, Jane Roos, Catherine Bernard, Laura Schor, Alice Zimet, Annette Blaugrund, Jeanine Plottel, Philippe Lalliot and Annie Cohen-Solal.

I want to thank Ellen Pryor, Kathy Demonbreun, Angela Butler, Brandon Gnetz, and Karen Gwaltney for planning this day for us. Thank you for being here. Please stay and join us for some refreshments.

Once again, I thank Cultural Attache Carole Scipion, Consul General Pascal Le Deunff, and the French government for this great honor.

A Conversation with Frist Center's CEO Susan Edwards: Art, Culture, and Community

On Sunday, September 12, I said “so long, farewell, auf Wiedersehen, goodbye” to The Golden Age of Couture exhibit at the Frist Center. As many of you know from my blogging, Twitter and Facebook postings, I spent my entire summer at the museum in my self-appointed role as Chairperson of the Committee of One. I am determined to make this the “best year yet” for the city’s iconic building that is fast becoming the epicenter for art in the South. The Frist Center's summer exhibits included Chihuly, the photographs of Tokihiro Sato, and the wildly popular Victoria and Albert Museum’s The Golden Age of Couture, an exhibition in which history and fashion are woven together with intricate and gorgeous precision.

After the outpouring of encouragement from readers of the Tribune in response to the lifestyle fashion section that was produced to show the positive influences of the exhibit on young ladies in our community, I reached out to Ms. Edwards for more details about the exhibit, the museum and to go more in-depth with you about by my adventures at the Frist Center. We heard from hundreds who wanted to know how Nashville was chosen to host the collection that influenced Paris and London designers during 1947-1957. My meeting with Ms. Edwards felt more like two lifelong friends chatting about relatives from back home. I was armed with questions and wanted to learn firsthand about the museum’s mission to integrate art, culture, and community together in ways that have the potential to impact our region and possibly the nation. Ms. Edwards graciously spent Sunday morning sharing with me her life, her passionate love of the arts and the future plans for the Frist Center.

There were common bonds that were recognized right away by learning of our shared heritage of being from small towns with mothers who insisted that dressing in your Sunday’s best was not limited to Sundays. Although her education was not part of our conversation, Ms. Edwards is an Adjunct Professor at Vanderbilt. She is a graduate of City University of New York. Ms. Edwards has a Ph.D. in Modern and Contemporary Art and Photography. She has been the CEO of the Frist Center for over six years.

Our conversation started out with both of us admiring several vintage pieces of clothing loaned to me from Joyce Searcy. In my possession was Joyce’s mother’s black Sunday suit and the opera coat worn by Joyce to the Schermerhorn Symphony’s Inaugural celebrations. As we both admired the pieces, I told Ms. Edwards that my words to Joyce at that time were that her regal dress and coat were worthy of being in a museum because she looked so stunning. Who knew that four years later, I would have her clothes photographed in a museum! That info was an icebreaker as we started thumbing through the pages of Sunday’s top seller, The Golden Age of Couture catalog from the exhibition. From there Ms. Edwards took me into her world as leader of the Frist Center.

Ms. Edwards said, “This year was a perfect storm of bringing many unique art shows together at once. The year started out with the Heroes exhibit during which we worked with the Parthenon and the Chihuly exhibit with us working with Cheekwood.”

I have enjoyed each exhibit but the one that has been dear to my heart was the couture show. The most asked question after the photo shoot was how did the Frist Center obtain the collection? Ms. Edwards said, “It was always the goal of the Frist center to bring a fashion show to the museum.”

The staff began researching the possibility of the Victoria and Albert exhibit nearly three years ago. A show as intricate as the couture show was a feat that could not be done on a short notice.

“We are always mediating mediums, culture, time periods, and of course budgets when we are considering bringing an exhibit to the museum,” Ms. Edward stated. The only time the couture show could come to Nashville was this summer. Since the exhibit was already in North America in Canada, bringing it Nashville helped lower the international shipping costs.

Ms. Edwards explained that the couture exhibit involved months of design planning and installation details. The mannequins were custom built for each piece of clothing and all of the cases were specially designed to hold such rare and fragile works of art. The mannequins and cases were already made and loan to the Frist Center which was another cost saving measure. Even the exhibition guide took untold hours to design to help bring the show to life. Years of planning were unveiled on June 18, 2010 and visitors filled the galleries of all the exhibition halls.

I personally hosted socials events and educational tours at the Frist Center. Women group like Les Gemmes’ and Brentwood Woman’s Club, to name a few, brought friends and family to the show. On August 7, 'Cocktails and Couture" was held at the Frist Center. The social event brought out the faithful, the curious, and the fashionably chic crowds to support the museum. Nashville Parent magazine sponsored Family Day a week later and nearly 4500 spent the afternoon marveling over the unique and different collections. With all the excitement, we could only build on the success of the summer shows for an incredible fall exhibit with the Birth of Impressionism.

I left in the middle of the last week because of a family emergency but promised everyone I would return for the final curtain call for The Golden Age of Couture exhibit. I had barely put my luggage down when emails from members of the community asking about the judge’s ruling in regard to Fisk University’s Stieglitz art collection and involvement of the Frist Center. After reading a few more emails that left me confused, I called the Frist Center to let them know my family was okay and asked if our interview for Sunday was still on.

While waiting for our interview on Sunday, I watched the storylines about Fisk University’s Stieglitz Collection that is awaiting a judge’s ruling if it can be sold or not to help school financially, go from one scenario to another. Since my meeting was already scheduled, I contacted Ms. Edwards to make sure we could address the Frist Center’s involvement in the new turn of events with the Stieglitz Collection on Fisk’s campus. Here is our exchange about the Fisk University and the Frist Center.

Genma: "As we were wrapping up the summer and I was looking forward to this great weekend I had planned with tours booked back to back. I think it is important that if I am asking someone to come to the Frist Center, I need to be at the door to greet them when they come in. That is my way of giving back and showing the wonderful things we have at the Frist Center. On Friday I received an email wanting to know what is happening with the Frist Center and Fisk. I was thinking “I don’t know let me make sure I find out.”

Ms. Edwards: “First, let me say we believe the Stieglitz Collection should remain at Fisk University in the Van Vechten Gallery as Georgia O’Keeffe intended when she gave the art to the school.

The Frist Center and Fisk University have shared an institutional partnership since before the Frist Center opened in 2001. We have worked over the past 10 years in productive collaboration in many ways, including lectures, discussions, presentations, tours of the campus and being asked by the university to store the Stieglitz Collection from 2005 until 2008 during the renovation of the Van Vechten Gallery where it’s currently on view.

What is at issue here in the court case is Georgia O’Keeffe’s intent when she gave this collection to Fisk University. She gave it – 101 works in 1949 -- to Fisk for the specific benefit of Nashville and the South. There were several terms attached to the gift: that it never be sold, that it must be shown in its entirety on white walls, that it not travel, that it be shown in the way she laid it out to be seen.

“This art is valuable. Very valuable. As times have become difficult economically, it’s tempting to look to the sale of the art to raise funds, and this has happened on other college campuses. It’s a difficult place to be, but what the state is looking at is… ‘What did the donor intend to do with the gift?’

“The attorney general is charged to protect donors wishes when it comes to gifts to colleges, museums, foundations, religious organizations and other recipients of gifts and bequests, and it is on these grounds that this issue has ended up in court.

“The attorney general of the State of Tennessee was asked by the Chancery Court to offer a proposal that would keep the Stieglitz Collection in Nashville and on view, as O’Keeffe wished, and asked the Frist Center if we would be willing to temporarily place the works on view, should the Chancery Court look favorably on the proposal. Our Board of Trustees discussed the matter at great length and determined that should the court select the attorney general’s proposal, we would agree to temporarily place the works on exhibition and make the collection available to all visitors free of charge until such time as the court determined it should be returned to the Fisk University campus.

“There may be some who might think the Frist Center wants the Stieglitz Collection. We do not. The Frist Center was conceived as, and remains, a non-collecting institution. The intent of the Frist Center is NOT to have a permanent collection of art.”

As our conversation transitioned from Georgia O’Keeffe's Gift to Fisk University to the upcoming Birth of Impressionism, Ms. Edwards’s eyes beamed vibrantly. She spoke excitedly about the upcoming exhibit. As thrilled as I was about The Golden Age of Couture collection, I could feel her love for this period of art history. Her passion for this period of art history encouraged me to become an official docent tour guide. So long, farewell to my chairperson of the committee of one title! More than ever, I am committed to bringing as many members of the community to the Frist Center.

“The vision of the Frist Center is to inspire people through art to look at their world in new ways.” I was inspired this summer to look at the world around me with a fresh perspective. My spirit as a volunteer was renewed. I saw the value of my community like never before. The friendships that were built by many of us coming together for our community to have the best year yet, will always be with me. I am hoping that as we move through next few weeks that everyone in the community will work for the greater good for all our wonderful institutions that we have in Music City. Rather it is a museum that is in an old post office or an institution of higher learning whose main goal is to educate students to become productive members of society. Art can inspire us to look at our world in new ways.

Photos credit: http://www.davidfarmerie.com/ Photographer *Filmmaker

P.S. I met David at the Frist Center one evening in August...enjoying music, art, and the wonderful exhibit.

Update: In three months, the Frist Center had a record breaking 196,000 visitors! That attendance record beat all markets except one for visitors to a Museum!

Update:"Chancellor Ellen Hobbs Lyle rejected the proposal Tuesday afternoon, saying Cooper had not come up with a "long-term solution to keep the collection in Nashville full-time."